Visual Arts

Architectural Design is a project-based studio class in which students learn the principles of architectural composition. Through a number of shorter projects and one long-term project, students learn about topics related to the design of private and public spaces, addressing foundations of the design process such as form, function, proportion, scale and articulation of space in the process. Students practice freehand and computer drawing as well as model making through a series of form studies of nature, architectural forms, linear perspective and abstract elements of composition. Experiential, social and material concerns are introduced together with formal and conceptual issues, and emphasis is placed on creativity, graphic presentation and computer skills. Substantive studio work is supplemented by a survey of important monuments in the history of architecture. Open to 11th and 12th graders only. Prerequisite: Drawing, Painting, Printmaking, Sculpture, Industrial Design or permission of instructor. (1/2 credit)

Drawing/Mixed Media focuses on developing observational skills, drawing techniques and creative thinking using a range of drawing media that includes charcoal, graphite, ink, watercolor and mixed media. The process of drawing engages the student in quieting the mind, connecting the eyes with the hands and the imagination. Students will develop both technical abilities and creative responses to materials, ideas, feelings and imagery. Working abstractly, from their imagination and from observation, they will embark on a variety of projects that include drawings inspired by music, figures, landscapes, contour line drawing, self-portraits and objects among others. The class culminates with a final independent project in which they synthesize and apply their knowledge of ideas, tools and processes, to an idea or image of their choice. In addition to a daily studio practice, this class includes outside readings, viewings, writings and regular sketchbook assignments. (Open to all grades.) (1/2 credit)

Graphic Design approaches design as a concept, as a process, and as a set of tools for the materialization of an idea. In a visual culture where technology is quickly evolving, the need to be visually literate and design savvy becomes imperative for successful communication. Through practical and personal projects, we learn to use Adobe design software including Illustrator and Photoshop. Assignments begin with the nuts and bolts of design principles. Students learn about traditional and experimental design, layout techniques, and basic graphic design through smaller projects. Each project offers an invitation to think outside the box in terms of scale, materials, and formats to solve different real-world design problems. The course ends with an individual project either in printed or digital online format. Students will design original and elegant solutions that strategically move audiences to feel, think and act. Each project will explore questions that broaden our perceptions as image producers and consumers. Prerequisite: Drawing, Painting or instructor approval. (Open to 10th, 11th and 12th Graders) (1/2 credit)

Industrial Design is a course that uses the design process to develop ideas and explore the relationship between form and function. The majority of the products that we touch every day were designed by an industrial designer: a toothbrush, a coffee mug, a backpack, a chair, an iPhone. Through a series of projects and assignments, students will evaluate everyday objects and identify design opportunities in terms of aesthetics, functionality, efficiency, and sustainability. Small skills-oriented projects build up to more complex projects, and the course culminates in a student-chosen final project that implements a comprehensive and accessible design process and utilizes sketches, 2D and 3D models, 3D printing, laser cutting, hand tools, and mixed media to translate a conceptual idea into reality. Prerequisites: Drawing, Sculpture, UrbanX Labs: Design and/or instructor approval. (Open to 10th, 11th and 12th graders.) (1/2 credit)

Painting is a studio class where students will explore and experience a variety of painting techniques, media and approaches. Painting is both an exploratory and problem-solving course dealing with form, color, texture and composition with an emphasis on both creative risk taking and skill building. Projects in class range from painting people, places and things through the lens of representation, expression and abstraction. Sketchbook work is integral to the course. Students will use sketchbooks to document their creative process, experiment with different imagery and practice their painting skills. The class culminates with an independent project in which students synthesize and apply their skills and knowledge to an idea or image of their choice. Studio work is supplemented with sketchbook assignments, individual and group critiques, as well as writings and readings. (Open to all grades.) (1/2 credit)

Photography is a studio class, offering students an opportunity to work more independently, deepening their understanding of photography’s history and studio practice. The class includes a broad and intensive investigation into the properties of photographs and the meanings created when they are combined into groups, series and sequences. Students may pursue work in traditional black and white, color, or digital photography. Class exercises develop skills in composition, lighting, editing and printing images. Class demonstrations range from traditional processes to alternative techniques with a focus on individual creative expression. The ultimate goal is for each student to further develop their aesthetic vocabulary and to work independently, creating a body of work that demonstrates engagement, commitment and creative vision. Photography also includes outside readings, sketchbook and writing assignments, a research project, visiting artists and field trips.  (Open to 10th, 11th and 12th graders.) (1/2 Credit)

Sculpture: Clay and Mixed Media is a studio workshop class focused on making 3D sculpture, working with a variety of materials and ways of thinking three-dimensionally. Working in both subtractive and additive manners, students explore the relationship between form and content in materials such as tape, clay, wire, altered books and found object assemblage. Projects investigate representation and abstraction, the body in relation to objects, kinetic and/or mechanical objects, wearable sculpture and environmentally or architecturally inspired installation. Each student creates a life-size clay head over four weeks, working with a study of anatomy and expression. Students develop dexterity with tools, working with their hands and thinking expansively about the alchemical transmutation of unusual everyday materials in order to reveal the conceptual aspects of their work. Weekly homework includes making small sculptures at home by casting, carving and baking, as well as reading, writing and sketchbook assignments. (Open to all grades.) (1/2 credit)

Video Production is a studio class, introducing students to the creative and technical aspects of video arts. Through viewing and studying the techniques employed by contemporary video artists and filmmakers, students will make several short videos practicing different approaches. Class exercises develop skills in story development, video camera operations, composition, lighting, directing, editing and working collaboratively. The ultimate goal is for each student to develop their aesthetic vocabulary further, to work both collaboratively and independently, creating short videos that demonstrate engagement, commitment and creative vision. Video production also includes sketchbook and writing assignments, viewing films outside of class, visiting artists and field trips. Open to all grades. (1/2 Credit)

Wanderlust: Explorations of an Infinite City invites students to engage in walking and mapping as creative practices, both as art forms and modes of inquiry. Initially we will focus on the practice of walking as a means of investigating a wide range of issues — while simultaneously gaining deeper experience of the complex social, political, and ecological dynamics within San Francisco. This form of research is less focused on reading and writing (although there will be some of both) than it is on becoming increasingly aware of one’s body as a multi-sensory vehicle for discovering images, stories, materials and urban rhythms. Starting off with Rebecca Solnit’s Infinite City: A San Francisco Atlas as a primary text, students will choose chapters related to different neighborhoods and then create scores and maps to both document their own experience and invite others into an experience of their own. Walking in the city sharpens perceptual and critical observation and can also open up an expanded sense of place, a deeper understanding of story, and possibly social connections or resources for future collaborations. What narratives—both internal and external — are only available to us when we move slowly, with an eye towards becoming increasingly informed about a place's people, histories and contemporary political realities? The class will culminate in an event open to the public featuring walks with scores and maps created by the students. Good walking shoes, a critical sensibility and a sense of adventure are required. (Open to 10th, 11th and 12th Graders.) (1/2 credit)

UAS Media Arts explores our visual culture where technology is quickly evolving, and emphasizes how visual literacy is all the more imperative for successful communication and cultural engagement. This course approaches media arts – including photography, video and graphic design – as a concept, a process and a set of tools for the communication of ideas. Through the study of the history of artistically engaged social movements, creative exercises and personal projects, students use still and video cameras, as well as editing and design software, to articulate their vision. This course introduces students to the possibilities of working in media arts through the exploration of interactive and collaborative methodologies, digital tools, and a critical study of media culture. We will discover how interactive media, storytelling and social connections determine our public and private identities in personal, fractured and complex ways. With an emphasis on collaboration and peer feedback, students deepen their knowledge of the tools (both equipment and software) and dig deeper into the content of their work using a structured design process in order to achieve more complex iterations of their ideas. Prerequisite: Photography, Video or Graphic Design. (Open to 11th and 12th Graders - Priority given to those who have not yet taken the course.) (1/2 credit)

UAS Printmaking explores a range of printmaking processes, including monotype, collograph and intaglio (drypoint and etching). Monotype offers spontaneity, collographs explore texture and materials, while drypoint and etching focus on precision of detail and composition. Students work with drawings, collage, color and photographs in creating the plates for their prints. A series of exercises revolve around the creative aspects important to any artistic pursuit, such as developing drawings, considering content, experimenting with composition, and learning what it is to be consistent and diligent with challenging projects. This class expects students to delve into substantial conceptual investigation as well as technical work. We look at pattern, mapping, self-portraiture and identity as well as political activism. The class encourages students to draw upon their own experiences and interests and to translate these into a visual vocabulary that is personally meaningful. Students work toward a final project working with multiple plates, juxtaposing images in layers to conceal and reveal different levels of meaning. This class includes both thematic and technical readings, research, sketchbook assignments, visiting artists and a field trip to a local printmaking studio. (Open to 10th, 11th and 12th graders.) (1/2 credit)

UAS Stone Carving explores many aspects of sculpture through the process of carving, specifically the reductive process of taking material away to create form. We study the use of stone throughout history around the world. Students make maquettes in clay that are then translated into different types of stone, usually alabaster or soapstone. Students are expected to complete one 3D stone sculpture over 12 weeks and to actively document their paths of inquiry in a sketchbook. This will involve a continual process of drawing as a tool for design, keeping a sketchbook of ideas, changes and discoveries, and the study of the work of other artists who work in stone, both traditional as well as contemporary. The development of appropriate studio skills, effective working habits, and a commitment to one's inquiry is a base level requirement for each student. We will explore resources for stone within the Bay Area and visit with local stone sculptors. This class includes reading, writing, research as well as group critique and discussions. Personal integrity and a high level of commitment are essential. This class requires a lot of endurance, patience and hard work. Prerequisite: Minimum one term of Sculpture or instructor approval. (Open to 10th, 11th and 12th graders.) (1/2 credit)